茶叶鉴赏_茶叶鉴赏的内容包括_茶叶鉴赏论文/

明文正明《惠山茶会图》

俗话说“主客无茶不交”。

以茶招待客人,

历代以来都是中国人社交的首选。

茶叶鉴赏论文_茶叶鉴赏_茶叶鉴赏的内容包括/

《寻茶图》部分

中国人喝茶,

再者,唐朝的达官贵人也很重视传统的器物和礼仪。

退一步,是退在树叶间的明清道士。

其间,

与《爆茶图》中坐在松月下的人是同一个人。

献给在花鸟间饮酒的贤士们,

还是《清明上河图》

一个平民正在那家餐馆里喝茶。

茶叶鉴赏_茶叶鉴赏论文_茶叶鉴赏的内容包括/

北宋张择端《清明上河图》部分

茶画的兴起,

它不仅是经济繁荣的物质体现,

也体现了文人悠闲、悠闲的情调。

它将水墨画与茶情完美地结合在一起。

再现历代饮茶方式,

也记录了我国茶文化的历史变迁。

看茶画,

仿佛能听到茶水流淌的声音

闻着空气中漂浮的沸腾的茶雾。

【唐】

史上第一幅茶画——《萧逸在兰亭挣钱》

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严立本:萧毅在兰亭挣钱(唐)

中国绘画史上第一幅茶画是唐代画家严立本的《萧一桌兰亭图》,描绘了一幅关于茶的“鸿门宴”。

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仇英(风格)兰亭雅集图片

为什么这么说呢? 光看画名中的“赚”字,就能猜到一半。 东晋永和九年,微醉的王羲之在山阴兰亭一口气写下了《兰亭集序》。 作为代代相传的瑰宝,为王羲之第七代孙智勇和尚收藏。 智勇年近百岁时,将其传给弟子辩才。 细心谨慎的辩才在自己卧室的横梁上刻了一个暗格,将《兰亭集序》藏在里面,绝不轻易示人。

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北京故宫博物院藏唐代冯承素抄本《冯兰亭序》

然而唐太宗却很喜欢王羲之的书法,花费了大量的金钱,发誓要收集天下所有王羲之的书法。 然而《兰亭集序》始终没有出现。 几经打听,发现它藏在便才手中。 唐太宗派御史萧乙拜访辨才和尚。 萧毅乔装打扮,拿着王羲之父子的杂记去见辨才和尚。 两人一拍即合。 萧毅故意挑衅将军,并夸耀他所带的职务是王羲之的最佳作品。 辩才不以为然,说道:贫僧有一部绝世佳作《兰亭序》。 最终,肖毅用尖刻的口才取得了便才的信任,骗走了他的工作。

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《萧毅在兰亭挣钱》部分

颜立本是一位独特的天才,被誉为“绘画大师”。 他尤其擅长画肖像和故事。 《萧逸赚兰亭图》中有五个人物。 中间坐着一个和尚,名叫辩才。 对面是萧毅。 左下是两个人在泡茶。 屏幕上,机智狡诈的萧逸和多疑的辨才和尚栩栩如生。 画面左下方,有一位老仆人蹲在炉灶旁。 炉子上有一个锅。 锅里的水已经烧开,茶粉刚刚放进去,老仆人正拿着“茶钳”搅拌着“茶汤”。 另一边,有一个男孩弯着腰。 端着茶盘,精心准备“茶”。 矮桌上还放着其他茶碗、茶罐等器皿。

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《萧毅在兰亭挣钱》部分

从考古的角度来看,这幅画不仅记录了古代僧人以茶招待客人的历史,而且真实地再现了唐代煮茶的茶具以及泡茶、喝茶的过程。 此画是最早反映唐代饮茶生活的绘画作品。 称其为唐代茶文化的瑰宝一点也不为过。

唐代民间斗茶场景——《斗茶图》

严立本《斗茶》(唐)

这幅画生动地描绘了唐代民间斗茶的情景。 屏幕上有6个穿着便服的人,看起来是三人一组。 旁边是他们带来的茶具、茶炉和茶叶。 左边三人其中一个正在炉子上泡茶,卷袖的则拿着茶壶。 将茶汤倒入杯中,另一个拿着茶壶的人似乎在炫耀他的茶的卓越。 右边三人中有两人正在小心翼翼地喝酒。 一名赤脚男子腰间挂着一个专为盛名茶而设计的小茶盒,手上拿着一个茶罐,仿佛在磨茶。 与此同时,三人似乎都在关注着对方的介绍。 准备发表关于斗茶的高层讨论。 整个画面的人物表情逼真生动,再现了唐代斗茶场景。

唐代贵族听琴饮茶——《调琴饮茶图》

周昉《调琴品茶》(唐代)台北故宫博物院藏

周昉,字静轩,字中郎、静昭,西安人,唐代著名仕女画家。 擅长表现贵妇、肖像、佛像。

当地的

画中描绘了五位女性,其中三位是贵族女性。 一个女人坐在岩石上调琴,左边站着一个侍女,手里拿着一个木盘。 另一位女子坐在圆凳上,背朝外,看着琴声,似乎想喝酒。 另一个女人坐在椅子上,听着琴声,右边还有一个侍女,端着茶碗站着。 画中的贵妇眉弯弯弯,肌肉丰腴,姿容秀丽,体现了唐代的审美观。 端着乐器喝茶的姿势,也能透露出唐代贵族悠闲生活的一个侧面。

宫女们围坐在长桌旁喝茶——《茶会图》

《宫乐图》(惠明图)(唐),绢本设色

此画描绘了宫女们围坐在长桌旁,招待喝茶的盛况。 图中,12个人围着桌子坐着或站着。 长桌中间有一大片茶海。 茶海里有一把长茶勺。 一个女人正在用勺子舀茶汤到茶碗里,另一个女人正在喝茶。 还有弹钢琴、吹笛子的,表情生动,描绘细腻。

【第五代】

文人相会喝茶——《文学相会图》

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邱文波《文辉图》(五朝),绢本设色

丘文波是后蜀五朝十国时期的画家。 主要著作有《宣和画谱》、《图画书画珍品》、《海月画史》、《清河书画船》等。

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此茶画展现了茶榻上树木山石的景色、幽雅的环境、难得的文化瑰宝。 榻上坐着四个光棍,一个是说话的,一个是书法的,一个是弹琴的,表情各异,表情生动。 周围有五个侍者,有的端着茶碗酒杯,有的端着竖琴,有的端着物品。 描绘了当时文人墨客云集,喝茶、喝酒、弹琴、书画的情景。 表现了当时文人的闲适情趣,在表现表情上展现了文人画的艺术特色。

贵族夜生活,喝茶听琴——《韩熙载夜宴》

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顾闳忠《韩熙载夜宴》(五朝)

这幅画充分表现了当时贵族夜生活的重要内容——喝茶听琴。

茶叶鉴赏论文_茶叶鉴赏_茶叶鉴赏的内容包括/

当地的

画中,客人面前的桌子上散落着茶壶、茶碗和茶点。 主人坐在榻上,客人有坐的,也有站的。 左边有一女子在弹琴,宾客们正在喝茶听琴。 从画面中人物的表情来看,几乎所有人都被美妙的琴声迷住了。

【宋】

沿河茶铺鳞次栉比——《清明上河图》

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张择端《清明上河图》片段

在这幅展现汴河两岸城乡生活方式和商铺商业繁荣的画面中,可以看到沿河排列的茶铺,呈现出一派欣欣向荣、繁荣昌盛的氛围。 仔细一看,屋檐下、店前都有很多茶几,茶客们在茶席上聊天,其乐融融; 还有一些流动茶摊、茶馆散布在茶贩之中。 茶让游客流连忘返。 正如元朝谭绍给宋代题写的《东京茶会图》诗:

二月的东都,鲜花盛开。

数千扇春门照亮了塔楼。

游客享受完奖励后就不再回头;

齐等分担茶担。

皇帝用茶宴招待大臣——《文会图》

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赵佶《文汇图》(北宋)台北故宫博物院藏

宋徽宗赵佶轻视政治,重视文学。 他一生爱茶,并对茶上瘾。 他经常在宫中以茶宴款待大臣和文人雅士,有时甚至以煮茶、斗茶为乐。 他亲笔撰写的茶书《大观茶论》,使品茶在宋代民间盛行。

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当地的

这幅茶画描绘了文人雅集的盛况。 一座豪华的庭院里,摆着一张巨大的榻,上面放着各种丰盛的菜肴、水果、杯子等,九名文士围坐在其周围,表情各异,洒脱自如,或议论,或敬酒,或静坐,有的侍者端着杯盘,有的在炭火桌​​上忙着温酒备茶。 现场气氛如此热烈,人物表情如此栩栩如生,不愧是中国历史上一个“压抑文艺”时代的代表。 真实写照。

达官贵人讲究品茶——《追茶图》

刘松年《叉叉》(南宋)

刘松年,宋代宫廷画家。 浙江杭州人,擅长人物画。

该画为工笔白描,描绘了宋代从磨茶到煮茶的具体流程、器具和点茶场景。 画作左前方,一名仆人坐在矮桌上,正在磨茶、磨茶。 桌上放着筛茶的茶篮、盛茶的茶盒等。桌边站着另一个人,拿着汤瓶点茶。 左边是烧水炉、水壶和茶巾,右边是储水瓮,桌上摆着茶匙、茶杯和茶架。 一切都显得非常安静、整洁、专注、有序。

茶叶鉴赏_茶叶鉴赏论文_茶叶鉴赏的内容包括/

当地的

画面右侧有三个人,一个和尚正在案头写书。 相传这位高僧就是中国历史上的“书圣”怀素。 一个人相对而坐,似乎在欣赏,另一个人则坐在他的旁边,展开卷轴,欣赏着。 画面充分展现了贵族官员家里饮茶的生动场景,是宋代饮茶的真实写照。

煮朋友新茶,立即品尝——《路通煮茶图》

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刘松年《卢同煮茶图》(南宋)绢本设色

据说,这幅画描绘了陆同德的朋友朝廷,谏孟逊送来的新茶,然后立即煮茶。 卢同是唐代诗人。 他自号玉川子。 范阳(今河北涿县)人。 他家境贫寒,但他读书刻苦,不愿做官。 他因喝茶而闻名。

茶叶鉴赏_茶叶鉴赏的内容包括_茶叶鉴赏论文/

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当地的

画面上岩石细细,松槐交织,枝叶繁茂,底下茅草屋。 卢同怀里坐着一本书,赤脚的丫鬟正在收拾茶具,长须及肩的水壶正在从泉水里汲水。

宋代街头茶市——“明园赌市”

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刘松年《明园赌市》(南宋)台北故宫博物院藏

此画为《斗茶图》的姊妹篇。 图中四位茶贩,有倒水点茶的,有提壶的,有举杯品茶的。 右边有一个茶匠,专营“优质江茶”。 有一个女人拎着锅,一个小孩走着看。 描写细致,人物生动,民间服饰统一,这是宋代街头茶市的真实写照。

煮茶煮水,品茶论道——《茶斗图》

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刘松年的《斗茶》

《斗茶图》和《明园赌市图》描绘的场景相似。 图中,四位爱茶之人聚集在古树巨石旁。 他们或煮茶、煮水,或饮茶论道。 细看他们的神情,淡然而平静,仿佛因为茶香而在这里偶然相遇。 斗茶的结果并不重要,重要的是山水流水间遇见知音。 这些茶画反映了宋代流行的饮茶风格,从普通百姓到皇帝、贵族、文人雅士。

不顾朝事,只管喝茶——《陆同煮茶图》

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钱选《卢同煮茶图》(宋)台北故宫博物院藏

钱选,字舜举,号玉潭,浙江湖州人,宋代画家。 喜欢游山玩水、读书弹琴、吟诗作画。 有诗云:“无论六朝盛衰,一瓶开作画”。 因此,他的传世作品多以隐居为题材。

当地的

在这张卢同煮茶的照片中,图中的男子头戴纱帽,身穿长袍,优雅而悠闲地坐在地上,正是卢同。 从他的神态和姿势来看,他似乎是在指导服务员如何泡茶。 一名身穿红衣、手持扇子的侍者正蹲在地上给茶炉扇风。 画面上点缀着芭蕉和湖石,环境幽静宜人,表达了作者对隐居生活的向往。

【元】

四位卖茶人在树荫下争茶 – 茶战的图片

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赵孟俯《斗茶》(元代)台北故宫博物院藏

作者赵孟俯(1254~1322),元代画家。

此画是一幅生动的茶画作品。 它表现的是四个卖茶人在树荫下进行“茶战”(茶战)。 每个人身边都有茶炉、茶壶、茶碗、茶杯等饮茶器具。 轻担有圆有方,随时随地泡茶。 左前方一人端着茶杯,另一人端着茶桶,态度平静。 他身后一个人端着一个杯子,一个人端着一个锅。 他把壶里的茶倒进杯子里,另外两个人站在一旁看着。 斗茶者与自家制茶进行比赛,展现了宋代民间买卖茶叶、斗茶的场景。

“茶圣”请童子汲水泡新茶——陆羽泡茶图

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赵元《陆羽煮茶图》(元)设色纸本

该画以茶圣陆羽煮茶为题材,采用水墨山水画来体现清雅宁静的环境。 远山近水,有一处平缓的山岩突出水面,一座大亭,殿内一人,盘膝而坐,旁边还有一个小孩。 炉子用来煮茶。 画正面冠“赵”字,题为《陆羽煮茶图》,后题款“赵丹琳”。 画上诗曰:“山中谁草堂?无悔闲吟至夕阳西下,俗客不来鸟散,唤童子挑水煮新茶。”

【明亮的】

文人赏梅弹琴饮茶——《梅花下横琴图》

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杜晋《横琴梅花下》立轴设色绢本

此图描绘文人在山台上弹琴赏梅的情景。 老梅花在天空中如龙吟唱,红梅绽放,山峰在远处的云雾中时隐时现; 书生坐在树干上,抚摸着琴弦,仰望梅花,还有童子沏茶侍茶,表现了文人的高雅情趣。 山木石画的画法与马峡接近,但笔触更加柔和细腻; 人物刻画细腻,脸上轻抹铅粉,衣褶坚挺流畅,吸收了北宋李公霖、元张沃的白描技巧。 在南宋庭院画的基础上,趋于清新淡雅、别具一格。

品茶追茶诗——《茶具十颂》

文征明《茶具十颂》(明)设色纸本

文征明(1470~1559),明代著名文人,诗书画杰出。 他们与名人朱文明、唐寅、徐祯清并称为当时的“吴中四才子”。 与沈周、唐寅、仇英合称为“吴四族”。

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当地的

这是一部集诗、书、画于一体的杰作。 画面之上,群山寂静,丘陵丛林苍翠,清雾润泽。 茅草屋之上,一位隐士独坐凝视,神色平静。 右边的侧房里,一个男孩静静地等待生火泡茶,营造出和谐的氛围。 表达了艺术家远离喧嚣都市、专注于山水的愿望。

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当地的

从发票上得知,明嘉靖十三年谷雨前三天,苏州天池、虎丘等地正在举办品茶活动。 提交人因病未能出席。 他的朋友送来了几种好茶,他就命孩子自己抽泉,吹火,泡茶,自己倒,自己喝,自己尝茶叶的品质,自己享受。 我不禁想起了唐代诗人皮日修的《茶杂颂·茶具》和卢龟蒙的《和谐茶具十颂》,于是我记住了他们优雅的唱腔。 当诗流行起来后,我也跟着写了十首诗,分别是《茶屋》、《茶人》、《茶笋》、《茶壶》、《茶舍》、《茶炉》、《烘焙》、《茶鼎》、《茶壶》、《泡茶》。

煮在鸡泉,品茶谈心——《品茶图》

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文征明《品茶图》(明)设色纸本

画中茅草屋的正房内,设有一张内置矮桌。 主、客相对而坐。 桌子上只有一壶茶和两个杯子。 看来他们聊得很好。 尽头有一个土炉和一个土锅,男孩专心等待火把水烧开。 据书名《七绝诗》,我在书末读到:“嘉靖辛卯年间,山中茶业兴盛,陆子夫探访,从泉中煮之,尝之。真是个好故事。”

当地的

此画作于嘉靖年间(1531年)。 屋里喝茶聊天的两个人,正是文征明和陆子夫。

游惠山,饮茶赋诗——《惠山茶会图》

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文征明《惠山茶会》(明)设色纸本

这就是茶会友、饮茶赋诗的真实写照。 图描绘的是正德十三年(1518年)清明节期间,文征明与书画好友蔡玉、唐震、王受、王充等人游无锡惠山,饮茶赋诗的情景。 。 半山青松之中,有两个人正在交谈。 一名青年正走在山路上。 他们在茅草亭的井边见面。 旁边有一个茶炉,一个男孩正在泡茶。

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当地的

此画体现了文征明早年山水画清秀淡雅、淡雅清丽的风格。 画正面开头是蔡玉书的《惠山茶会序》,背面是蔡明、唐震、王充的诗。 诗与画相呼应,抒情,传神。

文人夏日相邀饮茶——《诗茗图》

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唐寅纸本《十名图》(明)

唐寅,字伯虎、紫微,又号六如居士,江苏吴县人。 明代著名画家,工诗书画。 擅山水、人物、仕女、花鸟。

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当地的

此画为山水人物画,描绘了文人学士悠闲游山水间,夏日相邀饮茶的情景。 周围青山环抱,绿树成荫,溪水潺潺,古树参天下有几间茅草屋。 小屋里,一个人正在书桌前专心读书。 书桌的一头摆着茶壶、茶杯和许多茶具,靠墙的架子上摆满了书画。 侧屋里,一个男孩正在生火泡茶。 屋子右侧,有一座板桥卧溪之上。 一名男子带着工作人员缓缓前行参观,身后是一名拿着钢琴的书童。 画卷上的人物表情生动,环境优雅,表现出主人与客人之间的亲密关系。

喝茶谈古今——《停琴饮茶图》

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陈洪绶《画饮茶图》(明)朵云轩藏

陈洪绶(1598~1652),字章侯,号老莲,浙江人,明末画家。

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当地的

画面描绘两位尊贵人士相对而坐,琴弦收起,鲜茶冲泡,良朋益友,走进芬芳的茶室,手捧茶杯,边喝茶边谈古今,更添优雅的气质。珊瑚石、荷花、火光等,如此幽雅的环境,充分恰当地渲染了人物的隐居心情和文人雅致的品茶习俗,给人以美的享受。

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陈洪绶《煮茶图》扇面金纸

这幅画描绘了一个三角形的亭子。 亭内有两位贵族相对而坐。 右边的红衣人正在给炉子扇风。 左边的贵族男子身后是一个书童。 两人一边泡茶,一边讨论道教。 小亭依山傍水。 茂密的森林。 此图为工笔重彩,淡红与绿并用,折笔触石,与卢植颇为相似。

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陈洪绶《聊宫事图》

陈洪绶还有《谈宫事》,女子持卷,男子弹琴。 中间是一张巨大的长石桌,上面放着茶壶、茶杯、水瓮、茶盒、瓶花。

专心饮泉茶——《泡茶图》

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丁云鹏《泡茶图》(明)

丁云鹏(1547~1628),字南玉,号生化居士,安徽休宁人。 明代画家,擅画人物、佛像、山水。

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图描绘了卢同《谢孟谏传新茶》的诗意。 画中,卢同坐在蕉林竹林下,手执扇子,望着茶炉。 他正专心等待生火煮汤。 画面下部,一名长须仆人正拿起壶,似要画泉。 左边是一个赤脚的侍女,双手捧着它。 附送果盘。 图中人物表情生动,描绘了煮泉喝茶的真实场景。

【清除】

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杨进《富贵图》(部分),长卷,无色,绢本

该卷描写了春夏秋冬四个季节富裕家庭的怡人生活,全长1米多。 这幅作品是长卷的一部分。

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当地的

树下,两名清秀优雅、高髻女子正悠闲地坐在桌旁。 他们似乎在看着前面拿着扇子扇动蝴蝶的孩子,又似乎在听看护孩子的仆人说话。 什么? 旁边站着的女人,似乎正在对拿着冷风扇的佣人下达指令。 在孩子们玩耍的旁边,一个仆人一边扇着扇子,一边泡着茶。

奉乾隆之命,重新绘制泡茶图——《续竹炉泡茶图》

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董高《竹炉泡茶图》(清)

明代王甫的《竹炉泡茶图》被毁后,乾隆皇帝命董皋重新绘制了一幅图,故称《竹炉泡茶复图》。

The picture shows lush forests and bamboo rafts, several thatched houses, and a bamboo stove and water urn on the coffee table in front of the house. In the distance are clear mountains and rivers, and the scenery is beautiful. On the lower right side of the painting, there is a poem written by the artist: “The basket is filled with surprises, and the cold equipment is heavy and the wild husband is set up. Try the fragrance of tea to imitate the past, and listen to the rhyme of the pines. It may not be possible. I often rely on the elm The dragon protects the painting, and the tea smoke avoids the crane chicks. The beautiful furniture is filled with clouds and it is difficult to fit together, and the dust and ink on the face make me feel guilty.” In the middle of the painting, there is a seal of “Treasure of Emperor Qianlong’s View”.

The lively scene of the tea party – “The Gathering of Immortals and Blessings”

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Wang Chengpei’s “Illustration of Gathering of Immortals and Congratulations”, color on scroll paper

This picture uses fine brushwork and color to depict the image of servants at a tea fight. They are either preparing tea bowls, or drinking first, with different moods, and the realistic style is full of life. The line drawings are fine, mainly iron line drawings, the colors are calm and varied, and the colors are smudged. There are many objects in the picture, all of which are described in detail, which reflects the author’s meticulous observation ability of life and superb level of realism.

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Qian Huian’s “Picture of Cooking Tea and Washing Inkstones”, color on vertical scroll paper

Qian Hui’an, a painter of the Qing Dynasty, is one of the representative painters of the Shanghai School. The figures of workers and ladies are painted with fine brushes and dry ink. The brushwork is strong and the expressions are leisurely and elegant. The tone is between Laolian and Shizhou. Flowers and landscapes are also good.

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当地的

The background selection of this work highlights the word “elegant”. The protagonist in the painting is placed in a waterside pavilion shaded by pines, leaning on the railing and looking into the distance, giving people a sense of elegance and refinement. There is a Yao Qin placed on the piano table in the pavilion, and beside it are books, tea sets, tripods, and vases, all arranged in an orderly manner.

There are two children in the courtyard. One is squatting on the stone steps under the waterside pavilion, carefully scrubbing a stone inkstone. Several goldfish are surrounding him and swimming happily in the water. The other is standing by the stove making tea. There was a Dongpo kettle on the small stove, and an elegant tea can beside the stove. At this time, the child was looking sideways at a flying crane. This sentiment and scene illustrate the artistic conception depicted in the famous couplet: “The fish that washes the inkstone swallows the ink; the crane that cooks the tea avoids the smoke.”

The fragrance of tea and plum blossoms vividly appear on the paper – “Picture of Tea Tasting”

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Wu Changshuo’s “Tasting Tea”

“Tasting Tea” is a work by Qing Dynasty painter Wu Changshuo. Wu Changshuo, a famous painter, calligrapher and seal carver in the late Qing Dynasty, was a representative of the “Houhai School”. Together with Xu Gu, Pu Hua and Ren Bonian, he is known as the “Four Heroes of the Shanghai School in the Late Qing Dynasty”.

This painting is 42 cm long and 44 cm wide. The right part of the painting seems to be touched randomly, and light ink is lightly swept to draw a clay pot with an elegant and simple shape. A teacup is outlined next to the clay pot, and the brushstrokes are as light as smoke. There are several plum blossoms in the upper part of the painting, slanting out from the upper right to the lower left. The plum blossom branches and calyx are overlapping in pitch, side, back, and the posture is vivid and unique. The broken branches of plum blossoms are written vigorously with thick brushwork. With just a few strokes, the fragrance of tea and plum blossoms appear on the paper. The lightness of the tea and the elegance of the plums allude to the noble and indifferent temperament of the literati.

“Pictures of Making Tea” by Ren Bonian

【Modern】

Tea and painting have a profound relationship since ancient times. The leisure and fun of tea are also inadvertently revealed in the paintings and calligraphy of Feng Zikai, a master of comics.

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Everyone in the green hills stretched out their heads to see me eating bitter tea in the nunnery

The two poems in the title of the painting are taken from the poem “Dwelling in Tianmu Mountain” by Yuan Xin of the Ming Dynasty. The whole poem is as follows:

The spring breeze behind the curtains crows and crows sing,

Leisure and no faults are my home.

Everyone in the green hills stretched out their heads to look.

Look at me eating bitter tea in the nunnery.

The person in the painting must be a hermit who is full of leisure and leisure. He lives alone in this mountain hut, reciting poems, drinking tea, and looking at the mountain scenery. 多么优雅啊! The mountains in front of him seemed to him like a person stretching his head to look at him, sitting in the nunnery and eating bitter tea. He has mountains as his company and does not feel lonely.

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The frost and the scorching sun all passed by, and the spring breeze came to the thatched cottage one after another.

The family of four not only experienced cold winter and hot summer according to the seasons, but also experienced the ups and downs of life together. In this spring, when willow trees are flying and flowers are blooming, sitting in front of the thatched cottage, brewing a cup of new tea and enjoying family happiness is one of the great joys in life.

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The small table is made with friends on three sides, leaving one side with plum blossoms

Three friends were sitting around in the small courtyard, drinking tea and chatting, leaving a seat to watch the blooming plum blossoms in the small courtyard. It was really an elegant affair.

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The mountain is high and the moon is small, the water comes to light

“The mountains are high and the moon is small, and the rocks are revealed when the water falls.” It comes from Su Shi’s “Hou Chibi Ode”. Such elegant taste must be friends with similar interests. This love and scene can be combined with tea and wine.

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Baiyun often comes and goes when there is nothing to do. Don’t blame the mountain people for not seeing them off.

The two lines of poetry in the title of the painting are taken from the poem “Mountain Dwelling” written by Juchao of the Qing Dynasty. The whole poem is as follows:

The curtains are rolling in the west, the wind and rain suddenly clear,

Just sit in the small pavilion and listen to the wandering orioles.

White clouds often come and go when nothing happens,

Don’t blame the mountain monk for not seeing him off.

In such a situation, tea is the perfect place.

Dushu old man’s house

There is a thatched cottage with a pine tree, an orchid, a pot, a cup, and an old man sitting in meditation in a small courtyard. Although the room is crude, it does not feel crude.

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May the bright moon among the pines last like this

The poem in the painting comes from “Song of Going Down the Mountain” by Song Zhiwen, a poet of the early Tang Dynasty. 全诗如下:

I thought a lot when I went down to Songshan Mountain.

It’s been a long time coming with a beautiful lady.

The bright moon among the pines is so long,

你什么时候再来?

Under a vigorous ancient pine tree, under an autumn moon, a couple sat leisurely opposite each other, with a teapot on the table, and their children admiring the distant mountains and rivers along the winding corridor. In Mr. Feng’s tea paintings, it can be seen that his tea style is indifferent, and what embodies in the tea is the yearning for a peaceful life – I hope the bright moon among the pines will stay like this.

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Make tea by yourself in front of the small stove lamp

The poem in the painting comes from “Returning from the Dharma Cloud” by Lu You, a great poet and lyricist of the Southern Song Dynasty. 全诗如下:

Counting crows in the sparse forest at sunset,

Qingshan Que is my home.

What can I do to add tranquility to my return?

Make tea by yourself in front of the small stove lamp.

Sit in front of the window sill, put the book aside, set up the stove, boil water and make tea. At this time, it is already midnight, and with the idle books at hand, I don’t want to entertain guests or invite friends. I am just enjoying myself. Tea knows my heart, and I can escape from the trivial matters of firewood, rice, oil and salt. There is no one in the middle of the night, and I can enjoy tea with you. As a companion, tea is the speaker and confidant at this time. There is no secret between people and tea. After brewing the tea, as soon as the tea fragrance comes out, the elegance of the owner is ready to be revealed.

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The spring breeze seems to have never come

The poem in the painting comes from Zhang Zai’s “Inscribed on the Old Baiyuan of Xinglong Temple in Qingzhou”. 全诗如下:

Peonies are blooming in the north house next to the south,

How many times are you looking for beauty when you are young?

Only the old cypress trees of the Jun family,

The spring breeze seems to have never come.

When spring comes, everything is renewed and flowers bloom, creating a scene full of vitality and blooming flowers. With life-long friends, we sip tea under the old cypress tree and enjoy the scenery. Everything in the world is following this great spring, and its buds are growing wildly. At this time, the tea drinker should also have a heart as calm as water, like this pine and cypress, turning a blind eye to the surrounding pandering and not showing off his beauty. To please the world.

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Good birds are also friends on the branches

The poem in the painting comes from one of Song Dynasty poet Weng Sen’s “The Joy of Reading in Four Seasons”. 全诗如下:

The mountain light shines on the threshold and the water surrounds the corridor.

The dancing chanter returns to the fragrant Wing Chun scene.

A good bird is also a friend on a branch,

The falling flowers and the water surface are full of articles.

Don’t waste your time,

读书是人生唯一的美好事。

What a joy to read,

The green grass in front of the window is not weeded.

Reading and drinking tea are the joys of life!

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After the people dispersed, the crescent moon sky was like water

The crescent moon outside the window is like a hook, and there are only a few teacups in the room. How many nights have we encountered in a person’s life, when the crescent moon is like a hook and the sky is like water? After people left, the fragrance of tea and lingering warmth lingered for a long time, still vaguely lingering. Just now, the host and the guest were chatting happily. Maybe they were good friends having a drink together and talking silly things. Maybe they were members of the Begonia Society, and they filled in new words after drinking. Maybe they were wandering around in a group, making the local birds laugh with laughter. , shattered the flower shadow. We know that there is no such thing as a banquet that lasts forever, but after people leave, we still feel a bit lonely and sad.

It is a natural law for people to take tea to cool down. If you understand it, there is nothing worth lamenting. 君子之交淡如水。 After we leave tonight, the night is as cold as water. Please take care and wear more clothes!

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Qi Baishi’s “Pictures of Making Tea”

There is an ancient Zen koan: “Go and have tea.”

It reveals the mysterious charm of “Zen and tea”.

The texture of the tea is light and mellow,

The meaning of Zen is timeless and lasting.

Through the filtration of vicissitudes of life,

It is even more evident in these timeless tea ceremonies.

Cheng Shifa’s “Drinking Tea Picture”

No matter for princes, ministers, scholars or monks,

They are still merchants, gentlemen, and ordinary people.

The beautiful things in this cup will make people happy

Be happy and contented, meditate on the world,

Be serious about the present moment and be persistent in refining your life.

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